![]() ![]() ![]() Their are also two guest vocal spots, one from Thursday's Geoff Rickly and the other from Modern Life Is War's Jeff Eaton. ![]() Lyrically, Jeremy has also expanded from "Fuck this, fuck that" (though that still is awesome) to discussing more personal issues in a more poetic way of expressing them, I suppose you could say. The mingling of guitars becomes more evident (and even more prominent later), the drumming is intense, and the bass is pummelling. Though still fierce, they certainly tightened up as a unit. I think their original bassist switched to guitar or something as well). This continued the sound found on their debut album (two songs were even re-recorded for it), but with a more refined sound and some line-up changes (their drummer, in particular. To The Beat Of A Dead Horse, as a joint release between Collect Records (Geoff Rickly's label, who the band had a previous friendship with) and 6131 Records. The following year they put out their first full-length. ![]()
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